how to draw a 3d shark head

This tutorial is defended to selachophobia—the fright or extreme dislike of sharks.

This cultural phenomenon is quite common; you can find references to information technology in many manufactures on the almost frequent phobias.

The fear of sharks may exist an exaggerated course of an instinctive response. Information technology's completely understandable: sharks have razor-sharp teeth and, attributable to the pop movies, a bad reputation as evil creatures.

But, in reality, but 30 species of sharks are actually dangerous or have been known to attack humans. The chances of becoming the victim of an unprovoked shark run across are lower than the chances of beingness struck past lightning, injured in a car or bicycle accident, or even attacked by a domestic dog.

Usually, sharks aren't trying to injure people; they are just curious!

Sharks may exist dangerous in certain conditions (they are wild animals later all), but they also are wonderful creatures with an inherent natural beauty and a long, impressive lineage.

One of the ways to overcome a fear is to face the object that causes it. I invite you on a cartoon adventure, and this journey into the underwater earth volition be totally safe!

Y'all may also discover useful this great in-depth article on fish beefcake, and this tutorial on drawing with blackness and grayness ink liners.

What Yous Volition Demand

a graphite pencil
an eraser
ink liners number 0.i and 0.05 (grey colour)
ink liners number 0.2, 0.1, and 0.05 (blackness colour)

ane. How to Describe a Shark With a Graphite Pencil

Step ane

Permit'southward create a pencil sketch; it will assistance us to ink the drawing with confidence.

I draw a curved cadre line of the shark'due south body and mark the side borders.

Pace 2

I describe the narrowed shape of the shark's head.

Then I add ii rough segments of its body; drawing in parts is easier than trying to outline the whole figure at one time.

Step 3

I add the shape of the tail and the caudal (tail) fin.

Adding the shapes of the tail and the caudal fin

Step 4

I marker a subsidiary line where the eyes are located, and add together the eyes.

I likewise draw the shape of the open up oral cavity. By the mode, sharks use their gaping jaws as a mode to communicate with each other!

Step 5

It'due south time to refine the shape of the shark's head.

Step 6

The lines of a shark'due south torso are in general shine and slightly curved. I define this shape more than precisely.

Feel complimentary to erase the reference lines of the segments as you lot go.

Stride vii

I refine the shape of the tail and depict the caudal fin. The upper office of the tail fin is a bit bigger than the lower part and has a distinctive prominence.

Step eight

I draw the front dorsal fin, also mark a small spine at the get-go of this fin.

Step nine

I describe a pair of pectoral fins, using the rounded subsidiary lines equally a reference. Information technology'southward important to call back that we are creating an illusion of 3-dimensionality in our drawing!

Step 10

I add the remaining fins: back dorsal, ventral, and anal.

Stride 11

I mark 5 gill openings on the shark'southward trunk. Yous can draw two reference lines to create the borders of the gills.

Step 12

I add the nostrils, using a reference line to preserve the symmetry.

Then I draw the teeth; groovy white sharks have three rows of them. Just draw some of the front teeth, and later we'll create an illusion of greater detail.

Footstep thirteen

I add a line that creates a edge between the white underside and a greyness dorsal surface area.

Step xiv

To make this composition more than interesting, I add a shape of a small fish.

Stride 15

I draw the fins of the pocket-sized fish.

To achieve an illusion of three-dimensionality, I imagine that I'one thousand looking at a real fish from below. This simple trick helps to pattern whatsoever object and make it await more realistic.

Step 16

I erase all the subsidiary lines to ready this sketch for inking. You tin can too create a clean re-create of this drawing, using a window drinking glass during the day or a calorie-free tabular array.

2. How to Describe a Shark With Black and Grey Ink Liners

Stride 1

With the 0.05 grey liner, I mark the shadows on the shark's body. I also add hatches to the shape of the small fish.

Step two

I add more hatches to the darker areas of my cartoon, using the 0.ane grey ink liner.

Pace 3

With the 0.05 blackness liner, I add hatches to the sides of the shark and draw the eyes.

Adding the black hatches and drawing the eyes

Step 4

I add dots and curt hatches to the head of the shark, using the 0.i blackness liner. I also create a partial outline of the effigy.

Making the shark more three-dimensional adding the contour

Step 5

I continue working on the shark's trunk, as we did in the previous lesson. Dots are an excellent pick for creating a natural texture in this case.

Step 6

I finish the work on the remaining parts of the shark's body, using the 0.i blackness liner.

Step 7

I add dots and short hatches to the shape of the small fish, using the 0.1 black liner. I likewise create its outline.

Step 8

With the 0.05 grey liner, I piece of work on the oral cavity, adding sparse hatches and dots.

The goal is to create an illusion of depth; avoid making the opening only a flat shape with equal value.

An additional layer of dots in the area of teeth is an excellent option to achieve the upshot we need.

Step ix

With the 0.ii black ink liner, I add dots to the shark's dorsal area. The resource allotment of dots is non-uniform; I'm creating a pattern of the reflected lite.

Darkening the dorsal area and creating a pattern

Step x

I add together long hatches to the sides to the shark, using the 0.1 gray liner. Y'all can make occasional breaks in the lines to emphasize the pattern of the reflected low-cal.